Sunday 15 March 2015

16.3. The Society of the Spectacle

Karl Marx: The Capital, Chapter 1., Section 1.

"The wealth of those societies in which the capitalist mode of production prevails, presents itself as “an immense accumulation of commodities,” its unit being a single commodity. Our investigation must therefore begin with the analysis of a commodity."

Guy Debord: The Society of the Spectacle

1. In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into a representation.

4. The spectacle is not a collection of images, but a social relation among people, mediated by images.

33. Separated from his product, man himself produces all the details of his world with ever increasing power, and thus finds himself ever more separated from his world. The more his life is now his product, the more he is separated from his life.

34. The spectacle is capital to such a degree of accumulation that it becomes an image.

204. Critical theory must be communicated in its own language. It is the language of contradiction, which must be dialectical in form as it is in content. It is critique of the totality and historical critique. It is not “the nadir of writing” but its inversion. It is not a negation of style, but the style of negation.

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